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dc.contributor.authorSelman, Brianne
dc.contributor.authorFauteux, Brian
dc.contributor.authordeWaard, Andrew
dc.date.accessioned2023-03-02T21:20:25Z
dc.date.available2023-03-02T21:20:25Z
dc.date.issued2023-03-02
dc.identifier.urihttps://hdl.handle.net/10680/2042
dc.descriptionA Brief Submitted By: The Cultural Capital Project: Digital Stewardship and Sustainable Monetization for Canadian Musicians Presented to: Making Competition Work for Canadians: A consultation on the future of competition policy in Canadaen_US
dc.description.abstractIt is our contention that the music industries in Canada exhibit an oligopoly structure, formed of a handful of non-competitive, non-Canadian firms, which gravely harms both the livelihoods of Canadian musicians and the long term sustainability of Canadian music. Our research concludes the problem is not a consequence of anything unique to music as a cultural product, but partially a function of how competition is regulated in this country, or, more accurately, not regulated. Along with more rigorous enforcement of competition, we recommend that the Competition Act be updated to center the concerns of workers and consumers, which would have ripple effects on the health of many sectors in Canada, including music.en_US
dc.description.sponsorshipResearch contributing to this brief was conducted with a SSHRC granten_US
dc.language.isoenen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectResearch Subject Categories::LAW/JURISPRUDENCE::Other law::Competition lawen_US
dc.subjectcompetitionen_US
dc.subjectanti-trusten_US
dc.subjectmusic industryen_US
dc.titleThe Lack of Competition in the Music Industries, the Effect on Working Musicians, and the Loss of Canadian Music Heritageen_US
dc.typeWorking Paperen_US
dc.rights.licenseCC-BY-NC.4.0en_US


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